This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
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Compiling works from 45 female artists, a group show at the Parrish Art Museum in Watermill explores how creatives with ties to the east end of Long Island have used the language of abstraction. The sundry aesthetics of Elaine de Kooning, Helen Frankenthaler, Louise Nevelson, Howardena Pindell, Virginia Jaramillo, and more meet in a spirited fusion of creativity, gender, and sense of place.
Finding fame dizzying, Peretti retreated to Spain, to the village of Sant Martí Vell where she had bought a compound in 1968, and started to revive it, one building at a time. Peretti led an ascetic, unhurried, and happy existence in Catalonia (perhaps somewhat akin to that of Georgia O’Keeffe in Taos, New Mexico), that she found conducive to creation. “Of course, I’m slow,” she told Vogue. “I have to crystallize a form, find the essence. It’s a continual training to be essential in your work, and then you have to be essential in your life, too.”
In her first solo exhibition in the United States, “Lisa Ponti: Drawings, 1993–2018” at Ortuzar Projects presents about 40 works on paper by the late critic, editor, and artist. (Her father was the noted Milanese architect Gio Ponti; Lisa served as editor in chief of Domus, the architecture magazine that he founded in 1928, for several decades.) With a deft hand and touching sense of humor, Ponti executed the drawings on display in this show—some integrating elements of collage and objects like stickers—on A4 printer paper during the final 25 years of her life.
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